Commercializing your talents

Looking through Twitter this week I got caught up in a discussion about how Zimbabwean hip hop artist and producers are failing to grow consumership in the Zimbawean market or any other market for that matter. The discussion  brought foward several issues that observers felt contributed to the lack of the development in the genre’s quest for recognition and market share. The aim for any artist is to be recognised for their craft and for the craft to be taken seriously but it seems achieving this or knowing how to achieve it is beyond the grasp of the players in the music industry. This is an which goes beyond just the artist because there are record labels  investing in studio time and production of music which does not bring in much revenue.

The question amongst many participants in the Twitter discussion was what can be done to change the market position of hip hop music in the Zimbabwean market and then also package the music so that it can be sold to an international audiance? I think the starting point for everyone concerned with this product is to put themselves in the position of a customers and ask the following questions;

What value do I get from the product?

Why should I choose this product instead of the alternatives that are in the market?

It is also good practice at this point to do some market research with whoever the industry considers to be their target market. It is my opinion that most of the products that fail to gain any foot hold in their target market would have failed to answer these two questions. But these are very important questions for any customers and require an answer. That answer will be the reason customers buy the product.

Once those questions are answered all players should then look at their product in terms of attractiveness of the markets and this could be done by asking the following questions;

How much of the market is a potential market for our product?

Who are we competing with?

Who is the market leader and what are their core competencies and USPs?

How can we nullify their competitive advantage and convert their advantage into our own?

What resources to we need to achieve this?

It is my belief that in answering these questions honestly the musicians will come up with a product that is acceptible to the market, competitive against its rivals but more importantly the artists will be more aware of the value they give to their customers.

But some people will say good music or art does not need commercialisation or strategic planning, it sells itself….

Payday weekend!!

Whatcu all up to this weekend? I am checking out Tim Westwood in Birmingham tomorrow got a fever for it while driving from Manchester last weekend, listening to the “Big Dawg’s” radio show on Radio. No-one does hip-hop in the UK like Tim Westwood, so that’s me for the weekend.

I caught Johnny English last saturday, watch it if you have some time to spare, as long as you keep in mind that Mr Bean is one gesture from being cringe worthy or hilarious! It has it’s moments. It was also my first trip to the movies for days so the whole experiences was a moment in its own right.

Football is on too, my beloved Gunners are off to Chelsea and unlike seaSOns past, I am rather hopeful about the about the outcome. We are doing good, never mind what the league table says, it’s only the end of October, there is no way Newcastle, Liverpool and Spurs are going to finish ahead of us. Put your house on that, well don’t, but you can quote me on that one.

Music wise I have become a fan of Beyonce’s Countdown those first 20 seconds a banging!! but also check out Rick Ross – You’re the Boss, Torch’s version of Beres Hammond’s Freedom, DJ Khaled – I’m on one is still good. And on artist going to jail – Vybz Cartel is lighter, brighter and probably on the way to jail, they say he turn murderer!

Stay safe wherever you go, be back next week!